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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Millicent Preston Stanley Vaughan

Millicent Fanny Preston-Stanley Vaughan

Millicent Fanny Preston Stanley (1883–1955), politician and feminist, was born Millicent Stanley in Sydney in 1883, the daughter of a grocer named Augustine Stanley and his wife Frances (née Preston).

1 portrait in the collection

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits

Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Shen Jiawei, 2016 by Mark Mohell

Shen Jiawei

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Shen Jiawei was born in China. During the Cultural Revolution he laboured in the Great Northern Wilderness, but even as he worked there, he gained recognition as an artist.

Andrew Gaze

Andrew Gaze, 2018

by George Fetting

General content

Commissioned with funds provided by Trent Birkett 2018

Ken Done, 2016 by Mark Mohell

Ken Done

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With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

Portrait of a Young Man, 1478

Emblems of beauty

Magazine article by Keith Christiansen, 2012

Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.

In the mirror: self portrait with Joy Hester

Spring exhibition program

Archived media releases 2020

The following on-line and physical exhibitions are planned to open at the National Portrait Gallery in coming months. For those who can’t travel at present, selected works from all exhibitions will be included online

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

Bogong Cluster

Announcing... Jonathan Jones Bogong Cluster: Physically distant, socially connected

Archived media releases 2021

A new light installation by Jonathan Jones reflects on the importance of community through the lens of his Wiradjuri and Kamilaroi heritage, whilst also acting as a prompt for gallery visitors to maintain social distancing.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam

Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

I was not waving but drowning II, 2005 by Atul Bhalla

Atul Bhalla

by Khavita Singh

Atul Bhalla was born in 1964 in New Delhi. He frequently combines photography, installation, sculpture, video, painting and performance to question the human relationship with the natural and constructed environment.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Dame Mary Gilmore

Painting writing

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency